What’s in a name?

Like other names, a plant name is nothing more than a label, a way to refer to something or somebody, and to distinguish them from others.
Normally the name also gives you some extra information, but it is often unclear whether this is helpful or not. Let’s look at a few examples of this.
When you know that the Latin word pumilus means dwarf and you see that word as part of a plant name, you will expect that plant to be small, right? Well, yes …usually. There is a small plant in the Mesemb family called Antimima pumila. This is indeed a small plant, but so are most other Antimimas. The name only makes sense when you know that the plant used to belong in the genus Ruschia, where most plants are a lot bigger.
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There are worse cases however. While on the topic of small members of a group, what about Haworthia minima and H. pumila? They must be among the smallest of Haworthias, one would think. But no, they are about the biggest. Very confusing, until you find out that these species first were considered to be Aloes and as such they were dwarfs of course.

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Haw. pumila

There are many more examples of peculiar and confusing names, often as the result of transferring species from one genus to the other.  What about Glottiphyllum linguiforme?

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Glottis is Greek for tongue, phyllum comes from the same language and means leaf; lingua is Latin for tongue and forme means what you think it means. As long as the species was part of the super genus Mesembryanthemum the name was nice and descriptive, but nowadays it is more funny than anything else.

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A similar case is Gibbaeum gibbosum, where both parts of the name refer to the Latin word for hump (gibba).

In several cases plants get their names from the geographical area where they were first found (Fockea capensis, Pachypodium namaquanum,) but is is a bit of an awkward practice. Sometimes the plant is later found to have a much wider distribution then thought at first (Aloe angolensis also occurs in Botswana, Namibia and Zambia, Avonia rhodesica is found not only in Zimbabwe- the former Southern Rhodesia- but also in South Africa and Botswana; etc.).  The type material of Aloe littoralis was collected from a coastal area (near Luanda, Angola) and takes its name from that habitat. The distribution is now known to stretch right across the continent, so the name is rather misleading.

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Avonia albissima is by no means the whitest species in the genus as the name implies.

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Crassula columnaris is usually anything but columnar.

A lot of plants have been named after people. Often this is the person who first found it (Tylecodon nolteei, Caralluma denboefii), which makes some sense, but sometimes the connection between plant and person is less obvious.
I remember the story of the Dutch horticulturalist  J. A.  Janse  who was writing a book on succulents plants named after persons.  Many of these names are of course well known, but after sifting through the literature he ended with a list of names that did not mean a thing to him.
One of the authors he approached for information was a distinguished French botanist who had described a couple of Kalanchoes from Madagascar.
After some time the botanist’s widow sent him a rather tart reply to his letter, in which she informed him that her husband has recently died and that the reason why nothing was known about these names, was that the ladies to which they referred had nothing to do with their namesakes, apart from the fact that at some stage they had been been her husband’s mistress.

The above should not lure you into thinking that the naming of plants is not a serious matter. It is, but to my mind a somewhat light-hearted approach to things can often make them just that little bit more interesting.

Ornithogalum sardienii

When I first saw these little beauties on a hillside on the outskirts of Calitzdorp I had no idea what they could be, but after some searching in my library I found the original description of the species by Ernst van Jaarsveld in Bradleya 1994. Although it has since been found in a few other places and is now known to occur from Calitzdorp in the west to De Rust in the east it is considered critically rare. It grows in the shade of shrubs and often forms dense clumps. The photograph was taken in the first week of May last year.

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Haworthia decipiens var. decipiens

Today’s post is the first in what is intended to become a daily posting of one or more interesting and beautiful pictures (mainly) of succulent plants. The text will be kept to a minimum, so as not to distract from the images. These post will be an addition to, not a replacement for, the usual ones.
You may also notice that I have added a photo gallery to the blog. Enjoy!
We kick off with two pictures that are identical, except for the fact that one was taken with a diffusor. That one seemingly little difference produces quite a different result. One can not really say that one picture is better than the other, but they give different information and also evoke a different feeling. When the light is harsh like in this case, it is worth taking a couple of pictures with and without a diffusor or reflector.

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Some Poellnitzia pictures

It keeps amazing me how sometimes you decide to do something and you end up with a totally different thing from what you had in mind. This post is a case in point.
I thought it would be a good idea to write a post on a certain aspect of plant photography that is often neglected (paralleling the subject) and went out into the garden to take some pictures to illustrate the principle. As it happened, there was a nice specimen of Poellnitzia in flower that seemed to fit the bill. Because the inflorescence in these plants is rather long and thin, even the gentle breeze that was blowing made it almost impossible to make a sharp picture. Quite a while ago I bought a gadget especially for occasions like this, where you have to stabilise something that is moving in the wind. It is called a Plamp (plant clamp) and  has a couple of other uses as well.  Although I rarely (have to) use it, it may make the difference between a good picture and a bad one (or none at all).  Have a look at http://www.tripodhead.com/products/plamp-main.cfm for more info.
Even after the inflorescence as such had now been stabilised, the individual flowers were slightly moving in the wind. This defeated the object of showing the differences in depth of field as a result of different camera angles. After the rigmarole of setting up camera, tripod and Plamp, combined with the fact that a flowering plant of this species is not a common sight, I was rather reluctant to just pack up and leave. So I decided to have another look at what was there. As usual, I started with a couple of what my friend Neil Curry, a retired filmmaker, uses to call establishing shots, showing the subject in its environment.

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The background was nice and dark but because I did not compensate for its darkness this is how the picture turned out.

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This is what it looked like after taking a second picture with one stop underexposure and some fiddling in post production. You will notice that I also removed some of the nasty light blotches in the background.

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After this, I went somewhat closer up and photographed only the middle part of the inflorescence.

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Because the tips of the flowers have a unique shape I decided to make a picture of those at natural size. The flowers are so special in fact, that a whole genus (Poellnitzia) was established to accommodate just one species (rubriflora).

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The plant itself is similar in shape to species in related genera (Aloe, Astroloba, Haworthia) but the colour is rather special.